A Time for Superlatives
2014
Painted foamcard, acrylic glass, wood, light box
(Image: Irish Museum of Modern Art)
2014
Painted foamcard, acrylic glass, wood, light box
(Image: Irish Museum of Modern Art)
A Time for Superlatives derives from two Classic Greek statue fragments from Berlin's Neues Museum, introducing through the sculptural reworking senses of hollowness, fragile temporality, and informational alientation.